kiln carving

November 21, 2009 at 2:34 pm (fused glass, glass, glass fusing, kiln)

So, kiln carving, for those who asked, all one of you. I didn’t pick a very good project to illustrate it. Here are my soap dishes:

This glass wasn’t made for fusing, so it devitrified a lot. The fiber paper stuck to it quite badly. I had to get out the so-called dental tools I use for poking at hot glass beads, though I gotta say if any dentist came at me with tools like that I’d run screaming. Still, they worked well for scraping at glass, same as teeth. Generally, these dishes came out looking like somebody had (quite sloppily) cut various shapes of glass and stacked them up. Which you can’t really do, not in this way, but that’s what it looks like. I don’t have any cold working tools so they are crude and wavy…but hey, I love them anyway. They’re my kindergarten projects. I guess I should give them to my parents, right?

Where kiln carving begins to shine is when you use transparent glass. For this set I had in mind some complex snowflakes, but fortunately I talked myself into simplifying for the first attempt:

They completely swallowed their little wire hangers, for one thing. The first one has a wicked sharp edge on it. I thought it might, so I console myself with the thought that I’m beginning to understand what is likely to happen. You could shave with that edge, I promise you. The second one, created in reverse fashion, is well rounded.

Glass is liquid, behind our backs, in the heat, hidden from view. You can’t make it do things. You can align what you want it to do with what it wants to do. I will never reach the end of learning how to do that.

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you will get burned

June 26, 2009 at 12:54 pm (fused glass, glass, glass fusing, kiln)

You will get cut. You will get burned. If this troubles you, take painting lessons.

That’s my favorite warm-glass t-shirt. But this week it’s too hot to melt glass. Or shall I embrace the obvious hyperbole: it’s almost hot enough outside to melt glass. It’s definitely too hot to sit in front of a torch. The kiln can soldier on, though–it’s not going to make the garage perceptibly warmer. I’m still on bottles, although I’ve overcooked a few in my zeal. It’s nice being able to experiment on free trash. I bought a couple of casting molds too, and some mica powder to play with. Glass crushing is to become my next skill. Seems easier than precision cutting, whereat I have not yet arrived.

Everything outside is getting burned just sitting there. We’re breaking all kinds of heat records this week. We’re on stage 2 water restrictions, and I continue to indulge murderous fantasies directed at my lawn and so-called landscaping. I’m thinking a nice rock garden for next year…for growing rocks. They don’t drink much.

Creatures are suffering and on the move looking for water. T and Milo even saw a porcupine the other day. Milo was on a leash or we’d have a disaster story to tell. The chickens are quite put out and wait impatiently for noon every day when I let them out of the hot chicken yard into the hot backyard, where there is at least a little green shade left to enjoy. Mojo, that most sensible old dog, wants to go outside only three times a day: once for dawn patrol, once to help me feed the chickens, and once for dinner in the evening. Otherwise he’s counting his blessings and his zzzzzz’s in air-conditioned bliss.

Scheduled trips to Portland and Finland sustain me. But Portland has Bullseye glass. Finland has Iittala. There’s no escaping this heat. Glass is always hotter than whatever else is happening.

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sagging stuff

June 22, 2009 at 12:04 pm (fused glass, glass, glass fusing, kiln)

I guess everybody who gets a kiln slumps a few bottles. I don’t mind being one of the herd. Saggy bottles are neato. Everybody likes them. And they’re not entirely predictable, so there’s always that moment of great anticipation just before lifting the kiln lid.

The Martini & Rossi bottle that went out to Dad on Sunday: This is a vermouth bottle so it seemed right for an olive tray complete with little forks.

The blue one here is a Bombay Sapphire gin bottle. I’ve taken up collecting odd shapes. Can’t wait to see what happens to the boot:

So thanks, littering douchehounds who drive through my neighborhood on Saturday nights. I’ll take your empty beer bottles and use them for general niftiness.

You can keep those used condoms, though. They’ll never sell on Etsy.

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clearly better

January 19, 2009 at 1:13 pm (decoupage, envirotex, glass, kiln)

I’m retiring from Envirotex. Tired of the stuff. My last two cigar boxes were my best in every way except that the resin set up with a haze, leaving me thoroughly disgusted.  I’m sure it’s mostly user error, but still. And then there’s the toxic fumes issue.

Anyway, the real reason I began to use Envirotex is because it looks like glass. So…why not use glass instead? Particularly with a kiln sitting out there in the garage. Glass has its own set of hazards but I think they’re well understood.

I ordered a few glass tiles from Etsy to try something like scrabble tile pendants, only better, and they are.

What I really love about this project is the way the voice of the little plain glass tile has changed. When I ordered it, it was just a nifty smooth piece of glass. Now it speaks of fire polish and fiber paper. Now it speaks of ramp time, heat soak and annealing.

Now it says: I can do that. And then why not a cigar box top? In about five years I may have something beautiful to show off.

In the meantime, there’s that bottle there. It was a test of a slumping program.  Now it’s a spoon rest. If I never get good at anything else, I can produce spoon rests.  Spoon rests for all!

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hot stuff

December 26, 2008 at 1:04 pm (glass, kiln, lampwork)

I won Christmas this year!

That wasn’t my goal. My goal was to give gifts, make music, create a feast, limit expenses, and escape the dose of emotional trauma the season has brought on some years. All these things were fairly well achieved–and I couldn’t be more pleased–except for one.

T. doesn’t really play well with others sometimes. He blew off the limited expenses idea and presented me with a big scary thing dragged in from the garage after all the other packages were opened. Last year it was the torch and fuel-tank bombs I unwrapped that intimidated me; this year I couldn’t even lift the box: a kiln, for all my 1600-degree annealing, fusing, slumping, glassy needs. SO many things I need to do that I hadn’t even thought of before!

All he got was socks, almost. It’s hardly fair. I haven’t even made a bead yet that I wanted to save badly enough to anneal it. I really need to demand that he take this thing back where it came from.

But I wouldn’t want to hurt his feelings. Darn. I guess I’ll have to keep it.

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